Gabriele Beveridge

Gabriele Beveridge

Single Cells
2022
Hand-blown glass, steel hooks, polyurethane paint, shop fittings
120 x 120 x 42 cm. (47.2 x 47.2 x 16.5 in.)
Light Pool (I)
2022
Photogram, unique gelatin silver print, artist's frame
50 x 40 x 5 cm. (19¾ x 15¾ x 2 in.)
Orbit (IV)
2022
Synthetic hair extensions, fiberglass, satin varnish
70 x 70 x 15 cm. (27½ x 27½ x 5⅞ in.)
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Saturdays Keep Secrets That Sunday Never Could
2019
Found poster, broken quartz geode, frame
62 x 37 x 8 cm (24.5 x 14.5 x 3 in.)
Stem
2022
Hand-blown glass, chrome upright
110 x 38 x 33 cm. (43 x 15 x 13 in.) Photo Damian Griffiths
Burning (III)
2022
Perspex retail fitting, freehand glass
35 x 25 x 8 cm. (13.5 x 9.8 x 3 in.)
Whole Sea Between
2019
Chrome shop fittings, hand-blown glass
40.6 x 175.3 x 81.3 cm. (16 x 69 x 32 in.)
Under Falls of Air
2022
Found shop panels, lacquered pegboard
Photo Damian Griffiths
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Glassed in Dreams, 2025
Exhibition view
100 Bishopsgate, London (UK)
Tender Greed
2019
Broken quartz geode, chrome shop display stand
220 x 60 x 60 cm (86.5 x 23.5 x 23.5 in.)
Fountain
2021
Hand-blown glass, shop tie and belt racks, rope
Petrol Electric Light (detail)
2019
Found shop panels, powder-coated pegboards, uprights, chrome shop fittings, hand-blown glass
211 x 128.5 x 40.5 cm (83 x 50.5 x 16 in.)
Prophetic Souls (IX)
2017
Chrome shop fittings, hand-blown glass
132 x 100 x 53 cm (52 x 39⅜ x 20⅞ in.)
Slip Fault (I)
2019
Perspex retail fitting, freehand glass
31 x 25.5 x 9 cm (12.2 x 10 x 3.5 in.)
Cord (II)
2023
Hand-blown glass
74 x 28 x 25 cm. (29.1 x 11 x 9.8 in.)
Blood Moon (III)
2023
Marble, powder-coated steel frame
75 x 75 x 5 cm. (29.5 x 29.5 x 1.9 in.)
End of Never
2021
Found and sun faded beauty salon poster, rope, custom made frame
50 x 35 x 7 cm. (20 x 14 x 3 in.)
Single Cells
2022
Hand-blown glass, steel hooks, polyurethane paint, shop fittings
120 x 120 x 42 cm. (47.2 x 47.2 x 16.5 in.)
Light Pool (I)
2022
Photogram, unique gelatin silver print, artist's frame
50 x 40 x 5 cm. (19¾ x 15¾ x 2 in.)
Orbit (IV)
2022
Synthetic hair extensions, fiberglass, satin varnish
70 x 70 x 15 cm. (27½ x 27½ x 5⅞ in.)
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Saturdays Keep Secrets That Sunday Never Could
2019
Found poster, broken quartz geode, frame
62 x 37 x 8 cm (24.5 x 14.5 x 3 in.)
Stem
2022
Hand-blown glass, chrome upright
110 x 38 x 33 cm. (43 x 15 x 13 in.) Photo Damian Griffiths
Burning (III)
2022
Perspex retail fitting, freehand glass
35 x 25 x 8 cm. (13.5 x 9.8 x 3 in.)
Whole Sea Between
2019
Chrome shop fittings, hand-blown glass
40.6 x 175.3 x 81.3 cm. (16 x 69 x 32 in.)
Under Falls of Air
2022
Found shop panels, lacquered pegboard
Photo Damian Griffiths
Laps, 2022
Exhibition view
Bradley Ertaskiran, Montreal (Canada)
Photo: Jean-Michael Seminaro
Glassed in Dreams, 2025
Exhibition view
100 Bishopsgate, London (UK)
Tender Greed
2019
Broken quartz geode, chrome shop display stand
220 x 60 x 60 cm (86.5 x 23.5 x 23.5 in.)
Fountain
2021
Hand-blown glass, shop tie and belt racks, rope
Petrol Electric Light (detail)
2019
Found shop panels, powder-coated pegboards, uprights, chrome shop fittings, hand-blown glass
211 x 128.5 x 40.5 cm (83 x 50.5 x 16 in.)
Prophetic Souls (IX)
2017
Chrome shop fittings, hand-blown glass
132 x 100 x 53 cm (52 x 39⅜ x 20⅞ in.)
Slip Fault (I)
2019
Perspex retail fitting, freehand glass
31 x 25.5 x 9 cm (12.2 x 10 x 3.5 in.)
Cord (II)
2023
Hand-blown glass
74 x 28 x 25 cm. (29.1 x 11 x 9.8 in.)
Blood Moon (III)
2023
Marble, powder-coated steel frame
75 x 75 x 5 cm. (29.5 x 29.5 x 1.9 in.)
End of Never
2021
Found and sun faded beauty salon poster, rope, custom made frame
50 x 35 x 7 cm. (20 x 14 x 3 in.)

Biography

Gabriele Beveridge’s sculptural and conceptual practice combines materials as diverse as hand-blown glass, photo chemicals, and faded advertisements found in salon windows. Her assemblages put display on display, often spotlighting the modular displays that populate commercial spaces, combining them with slumped hand-blown glass forms that harness the material’s beauty, strangeness, and ubiquity. Her sculptures, imagery, installations, and imagery mimic the body and the way it’s displayed in a vastly expanding search, where biology evolves alongside the natural and non-natural, the organic and inorganic. Engaged through a dialogue that is as poetic as it is provocative, Beveridge absorbs and translates the urban environment in which she moves, interrogating the materials that define its contours.

Gabriele Beveridge is a British artist based in London, United Kingdom, who completed her MFA at the Slade School of Fine Art (London). Solo exhibitions have been presented at the Kai Art Center (Tallinn), La Salle de Bains (Lyon), Arnhem Museum of Modern Art (Netherlands), and Zabludowicz Collection (London). Notable group exhibitions have been staged at Glasgow International, Hayward Touring (UK), Whitechapel Gallery (London), Bradley Ertaskiran (Montreal), Yancey Richardson Gallery (New York), Klemm’s (Berlin), Keteleer Gallery (Antwerp), and Cosar (Düsseldorf). Beveridge’s works are held in public collections worldwide, including the Museum Ludwig (Cologne), the Museum Kunstpalast (Düsseldorf), the Saatchi Collection (London), the Gagosian Collection, and the Zabludowicz Collection (London), among others.

Born 1985, in Hong Kong

Lives and works in London, UK

Exhibitions

Press