Papier

August 26th – August 28th 2022
Papier

August 26 to 28, 2022

VIP : August 25th from 6pm to 9:30pm
Public Hours: August 26 to 28

Grand Quai du Port de Montréal
200 de la Commune Ouest

Booth B05

Bradley Ertaskiran is proud to participate at Papier contemporary art fair, from August 26th to the 28th, with new and recent work by David Armstrong Six, Mathieu Beauséjour, MMD x CPS, Kim Dorland, Jessica Eaton, Luce Meunier, Aude Moreau, Shaan Syed, and Janet Werner.

Represented artist Karen Kraven will present a new solo project supported by AGAC’s partnership with La Maison Simons. We are also proud to support emerging artist Dexter Barker-Glenn’s in a special project created for the fair.

To consult the Papier website, click here.

Mathieu Beauséjour, Bonsoir III, 2022. Digital prints mounted on dibond, 51 x 51 cm. (20 x 20 in.) Edition of 3. Photo: Paul Litherland
Shaan Syed, Disintegrating Split Double Minaret (8), 2021. Oil on linen, 190 x 137 cm. (75 x 54 in.)
Luce Meunier, Dégel no 1, 2022. Acrylic on cotton canvas, 91.4 x 76.2 cm. (36 x 30 in.). Photo: Paul Litherland
Jessica Eaton, LD v.30, 2022. Pigment print 35.5 x 28 cm. (14 x 11 in.) Edition of 7. Photo: Paul Litherland
Janet Werner, Drop, 2022. Oil on canvas, 51 x 40.6 cm. (20 x 16 in.) Photo: Guy L'Heureux
Kim Dorland, Untitled, 2022. Oil on paper, 38.1 x 27.9 cm. (15 x 11 in.) Photo: Paul Litherland
MMDxCPS, Bouquet VII (bijou), 2022. Archival inkjet print and porcelain enamel on copper sheet, 63.5 x 40.6 cm. (25 x 16 in.) Photo: Paul Litherland
David Armstrong Six, He Do the Police in Different Voices - 4161, 2021. Cast Ultracal, paint, 48.5 x 28 x 29 cm (19 x 11 x 11½ in.)
Karen Kraven, Nino (Yellow, Mint, Black), 2022. 100% cotton interlock (made in South Korea on cotton linen blend with polyester thread), 121.92 x 86.36 cm. (48 x 34 in.) Photo: Paul Litherland
Aude Moreau, Iceberg, étude #4, 2022. Inkjet print on Verona paper, 53.4 x 86.4 cm. (21 x 34 in.) Photo: Paul Litherland
Dexter Barker-Glenn, Wheeze, 2022. Oil on canvas, wood, 91 x 61 cm. (36 x 24 in.)
Jessica Eaton, Natura Morta (Luce Danzante) 25, 2022. Pigment Print, 81.5 x 101.5 cm. (32 x 40 in.) Edition of 3.
Mathieu Beauséjour, Bonsoir III, 2022. Digital prints mounted on dibond, 51 x 51 cm. (20 x 20 in.) Edition of 3. Photo: Paul Litherland
Shaan Syed, Disintegrating Split Double Minaret (8), 2021. Oil on linen, 190 x 137 cm. (75 x 54 in.)
Luce Meunier, Dégel no 1, 2022. Acrylic on cotton canvas, 91.4 x 76.2 cm. (36 x 30 in.). Photo: Paul Litherland
Jessica Eaton, LD v.30, 2022. Pigment print 35.5 x 28 cm. (14 x 11 in.) Edition of 7. Photo: Paul Litherland
Janet Werner, Drop, 2022. Oil on canvas, 51 x 40.6 cm. (20 x 16 in.) Photo: Guy L'Heureux
Kim Dorland, Untitled, 2022. Oil on paper, 38.1 x 27.9 cm. (15 x 11 in.) Photo: Paul Litherland
MMDxCPS, Bouquet VII (bijou), 2022. Archival inkjet print and porcelain enamel on copper sheet, 63.5 x 40.6 cm. (25 x 16 in.) Photo: Paul Litherland
David Armstrong Six, He Do the Police in Different Voices - 4161, 2021. Cast Ultracal, paint, 48.5 x 28 x 29 cm (19 x 11 x 11½ in.)
Karen Kraven, Nino (Yellow, Mint, Black), 2022. 100% cotton interlock (made in South Korea on cotton linen blend with polyester thread), 121.92 x 86.36 cm. (48 x 34 in.) Photo: Paul Litherland
Aude Moreau, Iceberg, étude #4, 2022. Inkjet print on Verona paper, 53.4 x 86.4 cm. (21 x 34 in.) Photo: Paul Litherland
Dexter Barker-Glenn, Wheeze, 2022. Oil on canvas, wood, 91 x 61 cm. (36 x 24 in.)
Jessica Eaton, Natura Morta (Luce Danzante) 25, 2022. Pigment Print, 81.5 x 101.5 cm. (32 x 40 in.) Edition of 3.