Jeremy Shaw

Jeremy Shaw

Towards Universal Pattern Recognition ('Instant" relaxation. Houston Chronicle. THU DEC 14 1978)
2018
Original archive press photograph, custom-cut prism, chrome
38.3 x 43 x 16 cm (15 x 17 x 6.3 in.)
Towards Universal Pattern Recognition (Youth Activities—rave at Yarmouth. 25/11)
2023
Original archive press photograph, custom-cut prism, chrome
42.2 x 35.3 x 17 cm (16.6 x 13.9 x 6.7 in.)
Towards Universal Pattern Recognition (Hypnotism Houston 6- 26-60)
2018
Original archive press photograph, custom-cut prism, chrome
35 x 40.5 x 17 cm (13.78 x 16 x 6.7 in.)
Towards Universal Pattern Recognition (Revival at McGovern Park WE JUL 17 1985)
2018
Original archive press photograph, custom-cut prism, chrome
41.4 x 37.2 x 15.5 cm (16.3 x 14.7 x 6.1 in.)
Towards Universal Pattern Recognition (Exorcism in Essex. 15-4-75)
2020
Original archive press photograph, custom-cut prism, chrome
79.6 x 67.6 x 25 cm (31.3 x 26.6 x 9.8 in.)
Towards Universal Pattern Recognition (Cheerleader Prayer. Picayune, MI. 12-11-87)
2019
Original archive press photograph, custom-cut prism, chrome
43.3 x 38.3 x 16 cm (17.1 x 15.1 x 6.3 in.)
Cathartic Illustration (Emotional Audience, L/1)
2021
Screen-print in silver-plated frame
79.5 x 54.5 x 3 cm (31.3 x 21.5 x 1.2 in.)
Cathartic Illustration (3D Club, D/ 1)
2023
Screen-print in silver-plated frame
79.5 x 54.5 x 3 cm (31.3 x 21.5 x 1.2 in.)
Cathartic Illustration (New Covenant B, C/2)
2021
Screen-print in silver-plated frame
64 x 44 x 3 cm (25.2 x 17.3 x 1.2 in.)
Phase Shifting Index, 2020
Seven-channel video, sound and light installation, 35'51''
Installation view, Centre Pompidou, Paris, FR
Photo: Timo Ohler
Phase Shifting Index, 2020
Seven-channel video, sound and light installation, 35'51''
Solo Exhibition: Phase Shifting Index (2020), Centre Pompidou, Paris, FR
Photo: Timo Ohler
Phase Shifting Index, 2020
Seven-channel video, sound and light installation, 35'51''
Solo Exhibition: Phase Shifting Index (2020), Centre Pompidou, Paris, FR
Photo: Timo Ohler
Unseen Potential (Psilocybe Atlantis, a.1)
2020
Kirlian photograph
67.7 x 52.7 x 5 cm (26.7 x 20.8 x 2 in.) framed
Unseen Potential (Psilocybe Atlantis, a.2)
2020
Kirlian photograph
67.7 x 52.7 x 5 cm (26.7 x 20.8 x 2 in.) framed
Unseen Potential (San Pedro, a.5)
2022
Kirlian photograph
67.7 x 52.7 x 5 cm (26.7 x 20.8 x 2 in.) framed
Quickeners
2014
Single channel video installation, 5.1 sound, 36'40"
Dimensions variable
Liminals
2017
Single channel video installation, 5.1 sound, 31'24"
Dimensions variable
I Can See Forever
2018
Two channel video installation, 5.1 sound, 36'24"
Dimensions variable
Quantification Trilogy
Quickeners, 2014
Single channel video installation, 5.1 sound, 36'40"
Installation view, Julia Stoschek Foundation, Düsseldorf, DE
Quantification Trilogy
Liminals, 2017
Single channel video installation, 5.1 sound, 31'24"
Installation view, Julia Stoschek Foundation, Düsseldorf, DE
Quantification Trilogy
I Can See Forever, 2018
Two channel video installation, 5.1 sound, 36’24”
Installation view, Julia Stoschek Foundation, Düsseldorf, DE
Aesthetic Capacity (UK Top Ten - New Romantic, 1982)
2013
11 Kirlian Polaroids
53.9 x 69.4 x 4 cm (21.2 x 27.3 x 1.6 in.) framed
Aesthetic Capacity (Mystic Force - Mystic Force, 1994)
2016/2022
Kirlian photograph
75.7 x 60.7 x 2.5 cm (29.8 x 23.9 x 0.9 in.) framed
Aesthetic Capacity (Dexter - Ricardo Villalobos, 2003)
2016/2022
Kirlian photograph
75.7 x 60.7 x 2.5 cm (29.8 x 23.9 x 0.9 in.) framed
Variation FQ, 2011 – 2013
16mm film with original soundtrack, 11’02”
Installation view
Contemporary Art Gallery, Vancouver, CA
Introduction to The Memory Personality, 2012
Single channel VHS installation with original soundtrack, 12’32”
Installation view
KW Institute for Contemporary Art, Berlin, DE
Best Minds, 2007
Two channel video installation with original soundtrack, 40 min loop
Installation view
KW Institute for Contemporary Art, Berlin, DE
Towards Universal Pattern Recognition ('Instant" relaxation. Houston Chronicle. THU DEC 14 1978)
2018
Original archive press photograph, custom-cut prism, chrome
38.3 x 43 x 16 cm (15 x 17 x 6.3 in.)
Towards Universal Pattern Recognition (Youth Activities—rave at Yarmouth. 25/11)
2023
Original archive press photograph, custom-cut prism, chrome
42.2 x 35.3 x 17 cm (16.6 x 13.9 x 6.7 in.)
Towards Universal Pattern Recognition (Hypnotism Houston 6- 26-60)
2018
Original archive press photograph, custom-cut prism, chrome
35 x 40.5 x 17 cm (13.78 x 16 x 6.7 in.)
Towards Universal Pattern Recognition (Revival at McGovern Park WE JUL 17 1985)
2018
Original archive press photograph, custom-cut prism, chrome
41.4 x 37.2 x 15.5 cm (16.3 x 14.7 x 6.1 in.)
Towards Universal Pattern Recognition (Exorcism in Essex. 15-4-75)
2020
Original archive press photograph, custom-cut prism, chrome
79.6 x 67.6 x 25 cm (31.3 x 26.6 x 9.8 in.)
Towards Universal Pattern Recognition (Cheerleader Prayer. Picayune, MI. 12-11-87)
2019
Original archive press photograph, custom-cut prism, chrome
43.3 x 38.3 x 16 cm (17.1 x 15.1 x 6.3 in.)
Cathartic Illustration (Emotional Audience, L/1)
2021
Screen-print in silver-plated frame
79.5 x 54.5 x 3 cm (31.3 x 21.5 x 1.2 in.)
Cathartic Illustration (3D Club, D/ 1)
2023
Screen-print in silver-plated frame
79.5 x 54.5 x 3 cm (31.3 x 21.5 x 1.2 in.)
Cathartic Illustration (New Covenant B, C/2)
2021
Screen-print in silver-plated frame
64 x 44 x 3 cm (25.2 x 17.3 x 1.2 in.)
Phase Shifting Index, 2020
Seven-channel video, sound and light installation, 35'51''
Installation view, Centre Pompidou, Paris, FR
Photo: Timo Ohler
Phase Shifting Index, 2020
Seven-channel video, sound and light installation, 35'51''
Solo Exhibition: Phase Shifting Index (2020), Centre Pompidou, Paris, FR
Photo: Timo Ohler
Phase Shifting Index, 2020
Seven-channel video, sound and light installation, 35'51''
Solo Exhibition: Phase Shifting Index (2020), Centre Pompidou, Paris, FR
Photo: Timo Ohler
Unseen Potential (Psilocybe Atlantis, a.1)
2020
Kirlian photograph
67.7 x 52.7 x 5 cm (26.7 x 20.8 x 2 in.) framed
Unseen Potential (Psilocybe Atlantis, a.2)
2020
Kirlian photograph
67.7 x 52.7 x 5 cm (26.7 x 20.8 x 2 in.) framed
Unseen Potential (San Pedro, a.5)
2022
Kirlian photograph
67.7 x 52.7 x 5 cm (26.7 x 20.8 x 2 in.) framed
Quickeners
2014
Single channel video installation, 5.1 sound, 36'40"
Dimensions variable
Liminals
2017
Single channel video installation, 5.1 sound, 31'24"
Dimensions variable
I Can See Forever
2018
Two channel video installation, 5.1 sound, 36'24"
Dimensions variable
Quantification Trilogy
Quickeners, 2014
Single channel video installation, 5.1 sound, 36'40"
Installation view, Julia Stoschek Foundation, Düsseldorf, DE
Quantification Trilogy
Liminals, 2017
Single channel video installation, 5.1 sound, 31'24"
Installation view, Julia Stoschek Foundation, Düsseldorf, DE
Quantification Trilogy
I Can See Forever, 2018
Two channel video installation, 5.1 sound, 36’24”
Installation view, Julia Stoschek Foundation, Düsseldorf, DE
Aesthetic Capacity (UK Top Ten - New Romantic, 1982)
2013
11 Kirlian Polaroids
53.9 x 69.4 x 4 cm (21.2 x 27.3 x 1.6 in.) framed
Aesthetic Capacity (Mystic Force - Mystic Force, 1994)
2016/2022
Kirlian photograph
75.7 x 60.7 x 2.5 cm (29.8 x 23.9 x 0.9 in.) framed
Aesthetic Capacity (Dexter - Ricardo Villalobos, 2003)
2016/2022
Kirlian photograph
75.7 x 60.7 x 2.5 cm (29.8 x 23.9 x 0.9 in.) framed
Variation FQ, 2011 – 2013
16mm film with original soundtrack, 11’02”
Installation view
Contemporary Art Gallery, Vancouver, CA
Introduction to The Memory Personality, 2012
Single channel VHS installation with original soundtrack, 12’32”
Installation view
KW Institute for Contemporary Art, Berlin, DE
Best Minds, 2007
Two channel video installation with original soundtrack, 40 min loop
Installation view
KW Institute for Contemporary Art, Berlin, DE

Biography

Jeremy Shaw works in a variety of media to explore altered states and the cultural and scientific practices that aspire to map transcendental experience. Often combining and amplifying strategies of verité filmmaking, conceptual art, music video and scientific research, he creates a post-documentary space that complicates expectations of image as a form of testimony. Shaw has had solo exhibitions at Centre Pompidou, Paris, MoMA PS1, New York, Schinkel Pavillon, Berlin, and MOCA Toronto, and been featured in international surveys such as the 57th Venice Biennale, 16th Lyon Biennale and Manifesta 11, Zurich. In 2016 he was awarded the Sobey Art Award and in 2018 was artist-in-residence at the Hammer Museum, Los Angeles. Works by Shaw are held in public collections worldwide including the Museum of Modern Art, New York, Centre Pompidou, Paris, Tate Modern, London, and the National Gallery of Canada, Ottawa.

Born in North Vancouver, Canada, in 1977

Lives and works in Berlin, Germany

Exhibitions

Press

Publications