{"id":4901,"date":"2021-05-20T16:28:05","date_gmt":"2021-05-20T20:28:05","guid":{"rendered":"https:\/\/bradleyertaskiran.com\/?p=4901"},"modified":"2023-03-10T16:47:33","modified_gmt":"2023-03-10T21:47:33","slug":"shaan-syed-an-interview-published-in-border-crossings","status":"publish","type":"post","link":"https:\/\/bradleyertaskiran.com\/en\/shaan-syed-an-interview-published-in-border-crossings\/","title":{"rendered":"Shaan Syed : an interview published in Border Crossings"},"content":{"rendered":"\n

Border Crossings (Vol. 40, Issue 156) published an interview led by Robert Enright with Shaan Syed. <\/a><\/p>\n\n\n\n

\n

Your palette is quite intriguing. What determines your colour choices?<\/strong><\/p>\n\n\n\n

Colour is really important to me. I want the colour to point to something that you may not be expecting. I realized this a couple of years ago after a trip to Marrakesh. The whole city is painted this pale, dirty pink colour. I remember asking a cab driver why everything was painted that colour. I was expecting a deep historical answer. All I got was, \u201cOh, it\u2019s Marrakesh; that\u2019s the Marrakesh colour.\u201d It made me think about colour being intrinsic to a place. Of course, upon further research you learn that the dirty pink came from the earth at some point, but now they just paint all the buildings this colour because it\u2019s \u201cMarrakesh pink.\u201d It made me start thinking about colour in a very specific way: How can colour point to a different time, or a different place, or a period?<\/p>\nExtract from the interview with Robert Enright<\/cite><\/blockquote>\n\n\n\n

To order a copy of Issue #156 of Border Crossings, please click here.<\/a><\/p>\n\n\n\n

To download the PDF of the interview, please click here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Border Crossings published an interview led by Robert Enright with Shaan Syed. <\/p>\n","protected":false},"author":2,"featured_media":12627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[],"artists":[64],"class_list":["post-4901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","artists-shaan-syed-en"],"acf":[],"yoast_head":"\nShaan Syed : an interview published in Border Crossings<\/title>\n<meta name=\"description\" content=\"Border Crossings published an interview led by Robert Enright with Shaan Syed.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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